Eventide dsp7000 serial number

The samples to be stepped through are controlled by the playmin and playmax controls. If looping is set to enabled, the sample will automatically repeat, and the end of the sample will be crossfaded to the beginning. Change start and stop to single out what part of the sample you want. If start is after stop the sample will be played in reverse. When adjusting, you have a choice of either a tape recorder scrub emulation, or pitchscrub mode where the sound at the point will be played looped.

Fadein and fadeout allow you to adjust how the sound is turned off and on. Use pitchamt to adjust the pitch of the sample and timeamt to adjust how fast the sample is played back. The new OS, version 3. You can use absolute time milliseconds or rhythmic values. Let me go thru Orville looping presets Bank 7 : Delays - Loops , trying to explain what these presets do. Its output is fed into a panner which sprays the effect into a stereo glide, fed also directly by dry input.

Loud signals add new audio to loop, decreasing level of old layers. Soft signals keep both in the loop. Echo balance : when set at min, the mix is all Echo 1, at max. In between settings produce echo rhythm that change over time. Assign 2: loop door. Loop time is tempo tapped and you can multiply it by bars. Quad in,quad out. All is fed to a stereo verb and stereo slap delay. Pitch: has envelope shaping and is bypassable.

Loop : vol pedal is door to loop. Choose bpm and of measures for loops length. Choose bpm, meter and of measures forloop length. Loops crisscross feedback. Timesqueeze allows independent 10 sec. Loop has a volume pedal before it. Loop has a volume pedal befor it set to mod2. Second loop rotates counterclockwise. Quad in, quad out. Second quad loop rotating counterclockwise. This one in seconds. Max delay length is 80 sec left and 90 sec right. This one has a percentage of loop length.

Max delay is 80 sec on left and 90 sec on right. During the 'event' no new data can be input. Event duration equal to loop length.

Verb and slap delays process loops and dry sound. Great 4 E-BOW pads!!! Summed in, stereo out. Master Time signature and bars number sets different lenghts for the loops. Summed in, quad out. No Quad is possibleon the DSP series. All s can share these presets. Some presets of the DSP will require to install the sampling board on a to run. From the GTR This unit had Its memory can be expanded by adding the sampling board. Most frequency and time-dependent parameters e. Inspiration and creativity are given no bounds.

Your email address will not be published. Vintage Digital. The variety and depth of its programs are truly amazing, from lush reverbs, to choruses, to flanges, to delays, to pitch shifters, to dynamics, to EQs, to filters, to distortions, to synthesizers, to samplers, to ring modulators, and to everything in-between.

User Manual. Service Manual. Ready To Buy? The DSP is one of the most versatile processors out there, with capabilities that make it the ideal means for adding fully professional effects to your project studio or even your live setup! Try our new favourites feature to collect and build your own dream effects rack!

View Your Favourites. Share on facebook. Share on twitter. Share on linkedin. The analogue and digital inputs are linked through relays directly to their corresponding outputs whenever the unit is unpowered or a hard bypass mode is selected.

Only one of the digital input formats is available at a time, but the selected source can be mixed with the analogue input and the relative levels of each adjusted as necessary before feeding the processing chain. The tip contact will receive an analogue control voltage between 0 and 5V. This facility is intended to accept simple footswitch contact closures, a variable foot pedal, or an external control voltage source.

Through clever wiring options, up to six footswitches or two pedal controllers can be accommodated and the control inputs allocated to modulate a variety of effects parameters or to trigger an event of some kind. I could find no mention of these facilities in the handbook and I suspect that they result from the metalwork being shared with the Orville. Half a revolution is required to advance each item in the program list and, although the program parameters fare a little better, with typically twelve 1dB increments or ten percentage steps per revolution, it seems unnecessarily slow.

You get used to it soon enough, but I often found it a frustration. It is much easier if you know the bank and preset number of the effect you require, as you can enter these values directly on the keypad — however, with so many patches available, that is not as easy as it sounds.

Furthermore, entering text when naming new effects patches involves a lot of tedious scrolling around with the wheel and there is no easy solution to that one. A column of buttons to the left of the encoder wheel recall the program and associated parameter pages — a select button activates the current program selection.

There is also a column of LEDs to indicate the sampling rate all the usual suspects from Finally, a Bypass button below the meters can operate as a hard bypass connecting inputs directly to outputs through relays which click in a most reassuring manner , a soft bypass through the electronics, or as an output mute function.

As with its siblings, switching the DSP on is a fairly lengthy process taking around twenty seconds punctuated with lots of relay clicks. For the record, the software versions in the review model were 1. I should add that, although I'm not a regular user of Eventide products, on every occasion I have had cause to use the H or DSP families I have never encountered a significant software problem.

However, there are only five main menu pages and several are only required infrequently. The analogue inputs have two gain adjustments — before and after the ADC — allowing the best converter performance to be achieved without restricting the creative possibilities of mixing analogue and digital inputs. To make life easy, controls can be ganged so that stereo signal levels and processing can be set quickly, accurately and efficiently.

The Setup page allows the digital input format to be established and the sampling rate selected — the machine displays the actual sample rate, as well as the declared rate. There are facilities here to select the bypass mode, as already discussed, to deal with all MIDI, footswitch and pedal inputs, and to adjust the LCD's contrast and brightness characteristics. Finally, there are some service modes to format external memory cards and so on. The main centre of operation is a trio of menus: Program, Patch and Parameter.

The first and last of these are accessed through dedicated buttons between the encoder wheel and screen, whereas the Patch menu is accessed by holding the Program button down for longer than a second. The Program page selects, loads and saves preset effects algorithms, grouped into related banks, stored internally or on external PCMCIA cards.