Codec dolby to sterio

It may not be as good as a true 5. To expand to 7. This means that your receiver should have 2 extra channels for this Dolby processing mode to work. Dolby TrueHD is a lossless 5. This is a large-sized file that is mainly stored in Blu-ray disks. However, not all receivers can decode this codec but if your source such as Blu-ray has a decoder for a Dolby TrueHD file, you should be able to play the file by bypassing the processor on your receiver.

Dolby TrueHD is better than Dolby Digital as it is stored in a lossless format and has more information for the sound processor to work with and create a hi-res immersive surround sound with a better dynamic range in your home theater system. Dolby Atmos is a lossless object-based 3D surround sound codec and processing mode.

It is an extension of Dolby TrueHD that adds an extra height element to create a bubble around the home theater user. It is mainly used in a 5. Having such a system, a Dolby Atmos source, and a Dolby Atmos processor, will enable you to have an immersive 3D surround sound experience.

The sound effects will make you feel like you are interacting with the environment similar to what you are watching, whether is an overhead chopper, flying bullets, birds, leaves falling, and so on. However, you cannot experience Dolby Atmos if you do not have height speakers, ceiling speakers, or even up-firing speakers that bounce soundwaves off your ceiling.

Dolby surround is a sound processing algorithm that works with a system tailored for a Dolby Atmos surround sound but without needing Dolby Atmos content. This means that it can up-mix a standard 5. Dolby Surround can also work with stereo content and up-mix for surround sound and allocate sound signals to the various speakers that you have in your set up.

Dolby Atmos Height Virtualization is a Dolby surround sound processing mode that aims to create a virtual 3D Dolby Atmos effect without needed height or in-ceiling speakers. This will save you from the hassle of having to fit speakers in your ceiling or buying up-firing speakers that do not always work great in all home theater rooms.

However, you will need a receiver, preamp, or processor that can support this mode and can be used in a 5. The processor is fitted with height-cue filters that can emulate that immersive bubble effect with your current surround sound system. If you have a receiver, you can contact your manufacturer to confirm if they have a firmware update for this virtual processing mode and try it out.

However, if you already have speakers for your height channel, this will not be necessary. It is a direct competitor to Dolby Labs but was founded later on in after Dolby had been in the industry for some years.

DTS technology made a major milestone after it was used in the movie Jurassic Park which propelled the company to popularity. This sound technology also uses lossy compression but is sampled at a higher bit rate than Dolby Digital and is also more adaptable to different rooms and home theater systems. This is because DTS uses software that can analyze the speaker system, tune changes in different ways, and can optimize bass depending on your system and subwoofer.

But just like DD, DTS has developed different codecs and processing modes that can be used in a home theater or media room. DTS-ES 6. DTS Neo:6 is a DTS decoding mode that up-mixes a stereo 2-channel audio file and distributes it to 6 channels for a 5.

DTS Neo:6 comes in two versions where one is optimized for music listeners and the other for watching movies in Music and Cinema respectively. DTS-X is an object-based sound format and decoding mode and is a direct competitor to Dolby Atmos but is different in that it does not need height, up-firing, or even ceiling speakers to create an immersive experience.

Note] Dolby AC-3 streams are limited to the three highest rates in this list. Valid values are in the range 1 mono to 8 7. If this attribute is not set, the default value is 2 stereo. If specified, the value must be consistent with the number of audio channels. If the attribute is not set, the decoder uses a default channel mask, based on the number of channels. The output sample rate must be identical to the input sample rate.

The decoder cannot change the sampling rate of the stream. Required for PCM output. Not needed for digital output. If the input type is mono, stereo, or dual-mono all without LFE channel , the only valid value is 2, for stereo output. Otherwise, the value can be: 2 for stereo downmix 6 for 5. Required for PCM output if the number of channels is greater than 2. The value must be: 0x3 for stereo output 0x3F for 5.

Optional for PCM output. Not needed for the digital output subtypes. Specifies whether a 2-channel Dolby audio stream is encoded as stereo or dual-mono. This channel uses up only about one-tenth the bandwidth of each of the other channels. Dolby Digital offers a maximum bit rate of kbps. Dolby Digital specifics 1. Dolby Digital Plus delivers up to 7. Dolby Digital Plus specifics 1. Adds a center rear channel to the Dolby Digital 5. Supports 6. It delivers a natural, realistic and compelling five-channel surround sound from stereo program sources; namely TV broadcasts, movies, video games, and music.

This makes it possible for them to deliver specific surround and localization effects over stereo services that are more like discrete 5.

It enhances spatial depth and improves sound directionality. With this technology the listening area is perceptibly larger and provides soundfields tailored for movies, music and gaming. Dolby Pro Logic IIz brings enhanced spatial effects, added depth, and an overall airiness to the listening experience. It is possible to expand a 5. However, all the outputs derived by existing Dolby Pro Logic IIx decoders are located in a horizontal plane. Supported upmixed output configurations based on stereo sources: 2 to 7.

Its powerful sound is bit-for-bit identical to what is created in the recording studio or mixing stage.